If auditions are a numbers game, which they are… then acting, like most forms of business, is a poker game. It’s imperative you lead with power. Getting cast, as luck would have it, is largely based on type. Knowing what you do best, how you’re immediately...
read more
It may come as something of a surprise to you, but regardless of whether you’re auditioning for on-camera or voiceover, you’re not likely to get much direction… at all. So, what gives? Don’t they know what they want? To answer the question, yes, they do have...
read more
The best voiceover demos demonstrate the sort of work you intend to land, and seamlessly reveal the sort of work you’re best suited to book. To achieve this end, there are essentially 6 key elements that add up to a truly successful voiceover demo. 1....
read more
Over the years, I’ve coached and produced voiceover demos for both budding and seasoned actors alike. I’ve also worked extensively with scores of talent with vast radio and broadcast experience, who’ve dedicated themselves to the work they love, but an...
read more
Like most small business owners just starting out, budding voice talent tend to severely undervalue themselves out of sheer desperation, and for fear they may “lose the job”. For instance, “I’d love to voice your documentary… for FREE!” Insert your own...
read more
The entertainment industry doesn’t have a monopoly on problems, but we certainly have more than our share. To add to this, scores of ‘would-be’ professional actors and voice overs, with scads of potential and talent, routinely overwhelm themselves focusing...
read more
There’s a saying that goes, “The definition of unhappiness is when reality does not meet expectation.” This could easily account for so many talent wasting as much time as they do either crabbing about their agents or their lack of representation, as the...
read more
There’s a specific performance technique I developed for our SOUND ADVICE clients I call ‘stretching the canvas’. It’s based on the notion that much like the artist, Jackson Pollock, you need to risk well beyond the narrow limits you might initially demand...
read more
When it comes to animation and games (most often referred to as ‘Interactive’ voice over), producers who are most likely to hire you are after original character voices. And if you are among those compelled to do character voices, then you absolutely MUST...
read more
I was stage struck when I was a kid. To me, acting wasn’t just play (which it was): it was a full-blown quest, which continues to drive me today. That passion keeps me going, even when I’m met with the obligatory industry opposition. Certainly one of the...
read more
Actors' Sound Advice Podcast:
Auditioning is a Numbers Game